The Magic of Ritual by Tom F. Driver free essay sample

Critical review of theological cultural study of roles meaning of rituals as vital part of human life. Tom F. Driver, in The Magic of Ritual: Our Need for Liberating Rites that Transform Our Lives Our Communities, presents a theological and cultural study of the roles and significance of rituals in society. The author argues that rituals are not merely decorative additions to social relationships and identity, but rather are crucial for life to have any meaning or sense at all. He further argues that modern society is in danger of completely losing its bearings because it has discounted the importance of such rituals. Driver is as much as saying that as a nations rituals go, so goes the entire nation: To lose ritual is to lose the way. It is a condition not only painful and pathetic but also dangerous. Some people it destroys. As for the whole society, sooner or

Sherlock Holmes and Dr Watson in The Hound Of The Baskervilles Essay Example

Sherlock Holmes and Dr Watson in The Hound Of The Baskervilles Essay Example Sherlock Holmes and Dr Watson in The Hound Of The Baskervilles Paper Sherlock Holmes and Dr Watson in The Hound Of The Baskervilles Paper Essay Topic: Literature The Hound of the Baskervilles There are five main points I am going to explain about the different aspects of Holmes and Watsons relationship and how each point adds to the enjoyment of the novel. The first obvious main point to start with is that the book is Holmes biography. All the Sherlock Holmes books are all about what Watson does with Holmes on their cases and at home before and after each case. This particular tale however, is not only based at home and in one other place, its based on a few different places like Devonshire, Coombe Tracey etc. Watson always tells the storyline, as he is the biographer of these cases and of Sherlock Holmes life. This is evidence of the books authenticity, as this could physically happen in real life. As well as this being the biography of Sherlock Holmes, it is also an autobiography for Watson. It is shown in this book especially, as there are a few chapters where Holmes is not in the book itself, only written to by Watson. We see this point right at the beginning of the book, when it says Mr Sherlock Holmes, who was usually very late in the mornings, save upon those not infrequent occasions when he stayed up all night, was seated at the breakfast table. This shows us that Watson has been around Holmes for a while as he even knows and writes what time Holmes wakes up in the morning. This is telling us that Holmes and Watson must have been friends for a number of years because otherwise Watson would not have know about what time Holmes wakes up etc. The second main point is that Holmes and Watson are obviously very close friends but although they are such close friends their friendship is very strange as they have a very competitive side to it. The bizarre relationship between Watson and Holmes is shown especially when Holmes is listening to Watson saying what he thinks of the stick, letting Watson think hes getting it all right when actually Holmes has a completely different answer. Another time Conan Doyle adds to their friendship is by telling us the extent of which they know each other. For when I see the stub of a cigarette marked Bradley, Oxford Street, I know that my friend Watson is in the neighbourhood. This shows us how much Holmes knows about Watson. He knows that he smokes and even which brand he smokes. By using the word friend he also is explaining that it is because of his friendship, that he is able to recognize it being Watsons stub. This could also mean that this brand was not such a popular type of cigarette and Holmes knew that Watson did in fact actually like it. This makes the book extremely enjoyable to read by allowing us to see a friendship that is so realistic that its like we are actually there. No friendship is perfect and there is, like theirs, a very competitive side to any friendship. There are points in the book when we see how much Watson actually trusts Holmes. This is shown especially right at the beginning of the book, when Holmes goes to wake up Watson. This proves that Holmes is allowed to enter Watsons room and is also allowed to wake him up at any time he wants. The third main point is that they are both partners in the work of investigation and although they are only work partners, we feel at home since they are still friends and its a pleasant environment to be in. Although they are close friends, we do see that they are still work partners as every time they sit down to drink a cup of tea, they are always talking about the case that they are currently dealing with, rather than a joke that someone said in a pub last night, for example. Holmes and Watson do not have equal positions in the job that they work in. Holmes is more of the solver and does not go out to explore. He uses his mental knowledge rather than his physical capabilities as he says in chapter one I have been to Devonshire in spirit we see from here that Holmes is a man of much intellect and can picture things in his head without actually leaving the place where hes at. Watson, on the other hand, is the explorer or the worker, the man who does all the physical work, searching for clues. Holmes still thinks of Watson as an amazing detective and very important to every case he does, as he mentions twice in the book about Watson being the man of action (page 140) and also him being there at the hour of action (page 30) this is showing us how Holmes is the superior one and Watson is inferior the pair. This also provides us with entertainment whilst reading this book because we see that Holmes is a man of much intellect and a controlling genius and its as if Watson is almost running behind him saying wait up, I know what the answer is although he actually has got the wrong side of the stick. Both detectives need and value each others help in this work and it is enjoyable to watch them working together to figure out the case. There is within the friendship of Holmes and Watson an aspect of Master and Apprentice or Schoolmaster and Pupil. This is shown a lot throughout the book; especially in Chapter One when Watson is saying what he thinks has happened to the stick and how old it is. Holmes sits and listens and occasionally comments, good or excellent. This shows how Holmes is treating Watson like a schoolchild who has just answered a question correctly. Also when Holmes makes a right deduction, he says the deduction so matter-of-factly, almost like hes trying to teach him the way to work it out, for example when Holmes says Do none suggest themselves? You know my methods. Apply them! and also when he says as to the latter part he says this as if the answer is obvious and why would anyone think different! This is another element that adds humour to this incredible book. It does this by making the story sound like two people, one who is literally always being bossed around by the other and yet he still follows the bossy one about. At one point of the book, though, we see that Watson is offended and he says, Then you use me, and yet do not trust me. But as a whole we know that Watson and Holmes are very friendly with each other and each one doesnt mind the other ones faults. The construction of the story is written in a narrative point- this is the final point I wish to raise in this essay and is quite different to the other elements previously written in this book the narrator is actually the sidekick; Using a sidekick is a very useful thing for an author whilst writing a book or making a film about detectives. The vast majority of all detectives have one or more sidekicks. We see in G. k Chestertons books there are always Father Brown and his sidekick Flambeau. In Agatha Christies detective stories there is always Hercule Poirut and Colonel Hastings. All these amazing detective stories have the common denominator of a sidekick. Having a sidekick enables the author, in this case, Sir Arthur Conan Doyle to control the flow of the information that gets passed to the audience. Sometimes an author can use this technique to create an irony in the story or the other way round just to confuse the readers. Sometimes by having a sidekick, it can even make people feel they are in the story by letting the readers find out something very crucial to the storyline at the same time as the characters. When they found out that the dog had killed Selden instead of Sir Henry was an exciting and relieving part of the book where one felt the same as the characters. When they found out who it was who was trying to kill Sir Henry or even at the time when Mr and Mrs Stapleton were found out not to be brother and sister. All of the times, we experience similar feeling to the narrator. It can also help to display the emotions between Holmes and Watson at different times throughout the book. Watson becoming angry in the middle of the book because of something he had not found out that Holmes had known is an example of when the relationship of Holmes and Watson gets a bit tangled up. There are lots of different aspects of the relationship between Holmes and Watson. All these aspects have been thought about before writing the book and this is what makes the book so enjoyable.

Basic Network Technology, Structure, and Protocols Essay - 2

Basic Network Technology, Structure, and Protocols - Essay Example These tutorials are meant to shed light on the networking topics covered by students in college. They can also be used for references purposes by engineers and computer scientists. The projects done by students are meant for visual demonstrations on what the tutorials cover. For instance, the client-server flash interactive animation covers protocols and computer networks in general. It is a project done in 2005 by Roman Margolis and Slav Podolsky. Animations are usually developed to show, visually, what might not be clear when just put into words alone. The 2005 animation project shows how communication happens over the internet. This normally happens via the client server architecture; as the tutorial explains. A client communicates with a server and the server responds with the information requested for by the client and sends that information. Servers are numerous and are situated at various locations around the globe. Servers can be within the same room as a client computer whil e others can be remote. The protocols described in the tutorial are: IP between client-server, address resolution DNS and ICMP. The internet communications flash animation is very interactive. This is very useful as it provides detailed information and explanations as well as graphical representations of the topic it describes. This tutorial is not only useful to computer science students but also lovers of technology and the curious computer user who may want to know how some things work on the internet. It explains how to go about surfing the internet for certain information. The computer is personified for humor purposes and it definitely does not fall short in that regard. The interactivity that the two above tutorials provide is the sole reason I choose to go through them and learn a thing or two. They are easy to understand – I believe anybody can understand them. As for the business purposes that the tutorials can be used for, animated

Personality and Time Perception Essay Example | Topics and Well Written Essays - 1000 words

Personality and Time Perception - Essay Example Stress-depleted attention processes become focused on task relevant activities and attention to time-based cues is inhibited, that distorts perceptions of time-in-passing and for time recollection in memory (Hancock & Weaver, 2005). Time perception with regard to personality traits has had some investigation, initiated by Eysenck's interest in the study of personality. Eysenck determined that two pre-dominant personality factors existed; the tendency to experience negative emotions (Neuroticism [N]); and the tendency to enjoy positive events (Extroversion [E]). E and N provided a 2-dimensional space to describe individual differences in behavior, very similar to the longitude and latitude coordinates on a global map. Eysenck's strength was to construct a model that detailed the causes of personality (Eysenck, 1970). He suggested that extraversion was the result of variability in cortical arousal; and that introverts tended to have higher levels of activity as compared to extraverts, and were inherently more cortically aroused than extraverts (Hancock & Weaver, 2005). This at first may appears counterintuitive, only that the solitary behavior of introverts seeks to dampen cortical stimulation, whereas the extravert seeks to heighten their levels of stimulation though impulsiveness and openness to experience. These patterns of behavior can be predicted using the Yerkes-Dodson Law (i.e., an empirical relationship between arousal and performance). So that performance increases with cognitive arousal but only to a certain pointl, when levels of arousal become too high, performance will decrease. There appears to be an optimal level of arousal for any given task (Twenge, Catanese, & Baumeister, 2003).One study that investigated Eysenck's personality dimensions and perceptions of time used the Eysenck Personality Questionnaire-Revised (EPQ-R) and two temporal discrimination tasks. It was found that participant accuracy in the timing of brief intervals was unrelated to EPQ-R scores. And that accuracy of timing for longer intervals between 1-2 seconds was found to be significantly associated with the personality dimension of psychoticism (P), an introvert trait (Lienert & Rammsayer, 1998). Overall, introverts defined as low-P performed the most poorly of all the EPQ-R categories.Clearly, there is limited literature available that investigates correlations between time perception and the personality trait Extroversion. This is a fault, as time perception dysfunctions have been related to impulsiveness and anti-social behaviors. The concept of impulsivity was stated by Eysenck to be a facet of extraversion (Eysenck, 1970). It appears that the cognitive tempo, or internal clocks, of the "impulsive" individual may run faster than those deemed "non-impulsive." Sp that the impulsive person is more likely to overestimate and underproduce time intervals (Hancock & Weaver, 2005). Contemporary literature generally considers impulsivity to be a trait in its own right that is highly correlated with extraversion.Patients diagnosed with orbitofrontal cortex (OFC) damage have exhibited impulsive behavior as well as showing deficits in time perception. Further, damage to the OFC has been related to dis-inhibition or socially inappropriate behavior and emotional patterns (Berlin, Rolls, & Kischka, 2004). Hence, there

Retail Marketing and Logistics Case Study Example | Topics and Well Written Essays - 1000 words

Retail Marketing and Logistics - Case Study Example This way they maintain good hold over quality and are in position to quickly phase off food items that outlive their utility. Gregg's have their own registered charitable trust and they are actively engaged in providing grants and donations for needy causes. Their social activities include the environment, children's cancer research, breakfast clubs that provide free, nutritious breakfast for primary school children in socially disadvantaged areas, and raise funds for children in need. Their exposure to these social activities gives them the advantage of maintaining good public relations and also the marketing thrust in new regions where they open shops. Their social obligations are noteworthy and they encourage their staff to be involved in these ventures. Apart from these, their emphasis on customer satisfaction is fundamental to their success. They also constantly review their product range to ensure quality, taste and value for money. Products that appear to lose popularity are taken off the shelves without much loss of time. The products on display reveal a rich variety of food items and invite the buyers to purchase and try them. The shop design is continually modified and refined to improve the shopping experience. They are also ever on the lookout for new opportunities to open shops in areas where they perceive their products have demand (Greggs). Along with Retail Marketing Mix Along with the vision to open shops wherever there is the prospect for business, Greggs ensure that there is good management of their staff and their products are made to customer's satisfaction. This hawkish policy of making their presence where there is need has provided the company with good growth results. The company boasts of a sound system alive to customers needs and just waiting for opportunities to open shops in populated areas of towns and cities. Their marketing strategy is intrinsically held together in wooing the customers through the use of benign staff and products expertise. The policy of being where the customers are is responsible for the expansion of their business and in addition the customers are made to feel that they are welcome. The art of beguiling the customers with a smiling staff and healthy, hygienic foodstuff needs alert management trained to prod the manpower in the right direction of retention and growth (Greggs the Bakers (Shop)). The investment in purchasing or renting the shop premises is augmented with skilful handling of people in house and outside. Use of Relationship Marketing for Competitive Advantage Relationship management in Greggs is an aspect that they have diligently nurtured to secure competitive advantage. It is not only the relationship among the staff but also the way this translates with the customers. Even if the shop or outlet is small in comparison to the

Mr and Mrs Andrews Painting Analysis

Mr and Mrs Andrews Painting Analysis I chose to make the comparison between Gainsboroughs Mr Mrs Andrews and Shonebares Mr Mrs Andrews Without Their Heads because although the titles are similar and the concept is similar, there are distinct differences. The fundamental differences stem from the fact that Shonebare used mannequins, whereas Gainsborough painted in oil on canvas. Shonebare has excluded the landscape whereas Gainsborough has included his beloved landscape which is an important part of his paintings. These two artists are from two different backgrounds, different races and 235 years apart. The two pieces are an ocean apart: Gainsboroughs painting is hung in The National Gallery, London while Shonebares work is installed in The National Gallery of Canada, Ottawa. Similarities The important differences in the two pieces are Gainsborough has a landscape in the background, whereas Shonebare has excluded this which alters the subject completely. For Gainsborough, the landscape was extremely important and by combining portraiture with landscape, this helped him to cover his love of landscape and at the same time earned a living, but it also gave us an historical insight into the landscapes in that period. Gainsboroughs sitters almost appear secondary, with the Andrews sitting under the oak tree and just about appearing in the portrait. The fact that Shonebare excludes the landscape is significant as the landscape depicts the wealth and status of Mr Andrews and by excluding this, Shonebare has appropriated a degree of this power and wealth. Gainsborough cursed the face business but Shonebares pieces without heads would not have worked in Gainsboroughs time for the simple fact that portraiture was popular in the mid 18th century. Portraitures were a way of indic ating to the world that a person had arrived. The face/eyes are the one thing that helps to give a human being identity it is like the window of a persons character and soul and by excluding this, there is an emptiness in Shonebares story, although one could argue that by being faceless the viewers can decide on the characters for themselves. Another significant factor in Shonebares Mr Mrs Andrew is by not having any heads, the eyes are drawn immediately to the beautiful vibrant fabrics. The Dutch Wax fabrics are important signifiers of Africa in Shonebares installation and although this is associated with Africa, it is in fact printed fabric based on Indonesians batik, manufactured in the Netherlands, Britain and other countries and exported to West Africa. This cloth has proved to be a rich and adaptable material, both literally and metaphorically, and it is vibrant and theatrical, although this particular installation is incongruous as the material does not marry up with the pe riod designs of the mid 18th century as it would have been highly unlikely gentlemen and ladies would have dressed in clothing from the sub-Continent, even though some of these materials are extremely expensive. Include in here Shonebares technique(why did he use material?)/Gainsboroughs brushstrokes (how has he managed to achieve such reality in his fabric? There is also something quite unsavoury about decapitated heads with the bodies still looking alive and I find the Shonebares mannequins quite surreal and disturbing having looked at this several times. Why however did Shonebare use headless characters? One of the reasons I expect could well be he wanted the characters to be mysterious but it is more likely that because Gainsboroughs painting is a celebration of deference and by being headless, Shonebare has somehow deflated their status. The eyes of Gainsboroughs Mr Mrs Andrews are staring straight at viewers, inviting them into their world. Expand here. In comparison to her neck, however, Gainsboroughs Mrs Andrews has extremely narrow shoulders which seems out of proportion to the rest of her body, and I wonder if this was naturally so or if it was to underscore that she was the subordinate of the two. Mrs Andrews faint smile indicates decorum although her narrow shoulders and posture reveals a degree of subjugation and possibly domination by her confident, no-nonsense husband. Shonebares Mrs Andrews posture has revealed a more confident looking woman with the shoulders being broader and the fact that the couple looks more equal has automatically transformed Shonebares mannequins into the 21st century. Gainsboroughs painting on the other hand is an anachronism of the past with the man standing next to his belongings: his wife, dog and gun and his land ownership in the background. Expand on Gainsborough here. Althou gh Shonebares installation is inside a building and there is just a plain background, he has managed to conjure up a feeling of a couple being outside of a building and the Rococo style bench could well have assisted in making this possible. When I look at Shonebares piece, I am thinking landed gentry but on looking again, my eyes tells me that there is incongruity as these bright colours would be classified as far too garish for these upwardly mobile folks in the middle of the English countryside. It shows Mrs Andrews in fine silk clothing, sitting on a Rococo style bench, sitting primly, while Mr Andrews is portrayed as a casually dressed gentleman with a dog and a gun, standing proudly before his sprawling land. Expand on both Mr Andrews clothes, figure and posture. I saw Mr Mrs Andrews at the National Gallery in late November 2009 and it is a relatively small oil on canvas, measuring 69.8 x 119.4 cms. It lacked that stiffness and grandeur associated with huge canvasses of that period. The young couple are shown in their Suffolk surroundings and it shows a distinctive style of portraiture, which does convey a degree of spontaneity and casualness, although that is not strictly true as the painting is highly organised. Robert Andrews would have been eager to display his latest agricultural advancement with the mechanical seed drill which was unusual in the mid-18 th century. Expand on Gainsboroughs landscape. Why did Shonebare not have a landscape/background? Why did he chose to have a 3-d installation? Could he have achieved a realistic landscape of that size in post-Modern Britain? Both artists are from completely different backgrounds and eras and to understand these pieces a little better, it is important to look in further details at their lives. Yinka Shonebare MBE was born 234 years later, in London in 1962 to Nigerian parents and lived in Battersea until his parents relocated to Lagos when he was 3. His father, a lawyer, wanted him to also study law but at 17 Shonebare returned to London and at 19 he chose to study art. He received his BA from Byam Shaw (now part of Central St Martins College of Art Design) and his MA from Goldsmith College, London University. A month into his art course he became seriously ill with a rare viral infection which attacked his spine and left him temporarily paralysed. He is now partially paralysed and walks using a stick. While at art school Shonebare was questioned by a lecturer about his choice of subject matter and why was it not more African? This started his journey of using Dutch Wax fabric as an apt metaphor for the entangled relationship between Africa and Europe in his installations. It has proved to be a rich and adaptable material, with the flexibility to be used in his installations, his paintings and in other projects he has undertaken. Shonebare works across the media of painting, sculpture, photography and filmmaking and has won several prizes, shortlisted for the Turner prize in 2004 and has been awarded the commission to make a work for the Trafalgar Square Fourth plinth in 2010. In 2005 he was awarded the MBE an award he has chosen to use as part of his artistic identity and uses this wherever his name is written. Thomas Gainsborough was born in Sudbury, Suffolk, in 1727, fifth son of a cloth merchant. Having a keen interest in drawing as a child, at the tender age of 13, he was sent to London to study art in 1740. He was a founding member of the Royal Academy, but unlike his contemporary, Joshua Reynolds, he was never knighted. Gainsboroughs natural preference was always for landscape painting, but it was impossible for an English artist to make a living painting landscapes and so in 1748 he moved back to Suffolk where be became known as a portrait painter. He hated portrait painting and, like Reynolds, this was his main form of income but he felt it bounded him to the wishes of his sitters. .Nothing is worse than gentlemen I do portraits to live and landscapes because I love them, Gainsborough once said to a friend. In another letter to a friend he complained about the pressure of society portraiture, which he described as the cursd Face Business. Gainsborough was one of the most important English artists of his time. He was impressed by the natural rhythm of Dutch landscape paintings and became a dedicated admirer of Van Dyck. The focus of country life as a centre of power and privilege was faithfully reflected in Gainsboroughs art, and in Mr Mrs Andrews the landscape reflected this power and self-esteem. In this painting, his most famous, it shows Robert Andrews, Gainsboroughs childhood friend, with his wife Frances on their estate. They had been married on 10th November 1748 when he was 23 and she was 16 and it is believed that this was painted soon after their marriage. Robert Andrews inherited half of his fathers estate and the other half of the neighbouring pieces of land from his wifes father, William Carter. In Mr Mrs Andrews Gainsborough succeeded in painting both a portrait of the client and of the landscape which is natural and in fact it is possible to relocate the very tree under which the Andrews sat. Unlike the French artificial geometric gardens, he was concerned with freeing painting from any kind of stylisation although Gainsborough sometimes included his own landscape from his imagination.

A New Type of Film Essay -- Filmmaking Media Entertainment Movies Essa

A New Type of Film Every day we are one step closer to filmmaking being as easy as taking out the brush and oils for a painting (Veneruso, 1998). The new technologies that have emerged in films have been the latest in a string of inventions, to help make the film industry better. Films have become an important part of our culutre since they started being made and shown regularly around the world. Although new technology in films may be nothing compared with other technology, it does seem that this technology will benefit a lot of people, and help to improve the quality of the entertainment. These new technologies to the film industry all have important roles in the new industry. Computer generated images, subtitle technology, digital theatre systems, three-dimensnal sound, the colour and black & white technology and the new digital media technology are the main and most infulensal of these technologies for the film industry. First though to see how far films are technologically advancing we need to see have far they have come already, by following the history that is filmmaking. The movie business has been adapting to changing technology for more than 80 years. Prior to the 1930’s, movies were not only without colour, but also had no sound or dialouge (Howell, 2001). The 1920’s started films off in black and white, and most had no sound, as they were difficult to make because of the microphones being unable to move. This lead to films being accompanied by live musicans in the theatre. It become easier to make talking films in the early 1930’s and they become very famous quite quickly. The first full-length colour film was â€Å"Becky Sharp† and it was made in 1935. Once TV hit the scenes in 1950 the film industry had to re... ...ry Movies. Retrieved September 14, 2004, from http://www.pbs.org/newshour/extra/features/jan-june01/movies_tech.html Jardin, Xeni. (2004). MP3 Pioneer Debuts Spatial Sound. Retrieved September 14, 2004, from http://www.wired.com/news/technology/0,1282,64353,00.html Microsoft Corporation. (2002). Digital Media Distribution Opportunies for the Film Industry. Retrieved September 14, 2004, from http://www.microsoft.com/windows/windowsmedia/content_provider/film/disopwhitepaper.aspx Saenger, Diana. (2004). New Black and White/Color Technology for Stooges DVDs. Retrieved September 14, 2004, from http://classicfilm.about.com/od/dvdnews/a/stoogesnews7210.htm Veneruso, Tara. (1998). A Report from the National Association of Broadcasters Convention Las Vegas, Nevada April 4-9, 1998. Retrieved September 14, 2004, from http://www.nextwavefilms.com/ulbp/cutnab98.html A New Type of Film Essay -- Filmmaking Media Entertainment Movies Essa A New Type of Film Every day we are one step closer to filmmaking being as easy as taking out the brush and oils for a painting (Veneruso, 1998). The new technologies that have emerged in films have been the latest in a string of inventions, to help make the film industry better. Films have become an important part of our culutre since they started being made and shown regularly around the world. Although new technology in films may be nothing compared with other technology, it does seem that this technology will benefit a lot of people, and help to improve the quality of the entertainment. These new technologies to the film industry all have important roles in the new industry. Computer generated images, subtitle technology, digital theatre systems, three-dimensnal sound, the colour and black & white technology and the new digital media technology are the main and most infulensal of these technologies for the film industry. First though to see how far films are technologically advancing we need to see have far they have come already, by following the history that is filmmaking. The movie business has been adapting to changing technology for more than 80 years. Prior to the 1930’s, movies were not only without colour, but also had no sound or dialouge (Howell, 2001). The 1920’s started films off in black and white, and most had no sound, as they were difficult to make because of the microphones being unable to move. This lead to films being accompanied by live musicans in the theatre. It become easier to make talking films in the early 1930’s and they become very famous quite quickly. The first full-length colour film was â€Å"Becky Sharp† and it was made in 1935. Once TV hit the scenes in 1950 the film industry had to re... ...ry Movies. Retrieved September 14, 2004, from http://www.pbs.org/newshour/extra/features/jan-june01/movies_tech.html Jardin, Xeni. (2004). MP3 Pioneer Debuts Spatial Sound. Retrieved September 14, 2004, from http://www.wired.com/news/technology/0,1282,64353,00.html Microsoft Corporation. (2002). Digital Media Distribution Opportunies for the Film Industry. Retrieved September 14, 2004, from http://www.microsoft.com/windows/windowsmedia/content_provider/film/disopwhitepaper.aspx Saenger, Diana. (2004). New Black and White/Color Technology for Stooges DVDs. Retrieved September 14, 2004, from http://classicfilm.about.com/od/dvdnews/a/stoogesnews7210.htm Veneruso, Tara. (1998). A Report from the National Association of Broadcasters Convention Las Vegas, Nevada April 4-9, 1998. Retrieved September 14, 2004, from http://www.nextwavefilms.com/ulbp/cutnab98.html